Grainline Driftless and Tessuti Megan Cardigans

or the Tale of Two Cardigans…

Driftless and Megan Cardigan

Driftless and Megan cardigans

I confess I’m one of those people that decide they want a cardigan and then endlessly obsess over ALL the cardigan patterns. I do this for most garments. I comb through all the independent and Big 4 options. I’ll pour over blog posts, Google images, websites and in-store catalogues. I’ll decide what I want to make and then when I go to pick up the scissors… I’ll change my mind.

While Vogue 8780 continues to be one of my most worn and loved cardigans/jackets, I did want to find another cardigan pattern for a little variety.

I confess that I was luke warm when both the Grainline Driftless Cardigan and the Tessuti  Megan Cardigan were released. Nothing wrong with either, perhaps it’s the simple fact that cardigans are practical garments and it’s hard to get a blood rush about them?

To solve my usual inability to lock myself down to one pattern, I decided to make two different cardigans. I find sewing multiple versions of one pattern or different patterns of a similar garment interesting. Seeing how different fabrics change the same garment or comparing different features and construction of two garments is always interesting to me.

DRIFTLESS CARDIGAN

I’ve always found Grainline patterns to be endlessly wearable. I think Jen designs the perfectly practical, highly wearable designs that always seem to go together without a fuss. I also find her designs fit me well and so I keep returning to her patterns. My three Alder dresses and little linen Morris are some of my favourite things to wear.

Features

The Driftless body is very wide and boxy with dropped shoulders and very fitted sleeves.

The pockets remind me of the Vogue 1247 skirt and are constructed in a similar way – minus all the Hong Kong binding of course! I’ve noticed that these sorts of pockets are popping up in a lot of RTW cardigans this winter in Australia.

Driftless Cardigan - Grainline Studios. Front view.

Driftless Cardigan – Grainline Studios. Front view.

Construction

This is a very easy cardigan to construct – don’t let those pockets fool you. I managed to cut this out and nearly complete it in an evening. It’s largely constructed on the overlocker (serger) with the exception of the pockets, thread chains and hand sewing down the neckband.

Driftless Cardigan - Grainline Studios. Back view.

Driftless Cardigan – Grainline Studios. Back view. I do like how it hangs across my back. I am a definite ‘slouch’ girl.

Thoughts

It’s a bit ‘Sunday afternoon’. Very casual, slouchy and not very dressy. I guess that sounds negative but it’s not at all. Those types of garments have a place in many wadrobes. Can’t be ‘fancy pants’ all the time! While it isn’t my favourite cardigan, it’s been worn a lot anyway as it’s ‘easy’ to wear, the type of garment you grab as you head out the door in case the breeze turns chilly. I don’t think my fabric choice helped. It’s some sort of cotton knit terry fabric… from the bargain table at Spotlight. I think it would be might nicer in a marle, slightly textured, merino knit. It may also be interesting with thoughtful colour choice as a colour-blocked cardigan.

I made view B with the split hem that is slightly lower at the back.

Driftless Cardigan - Grainline Studios. Back view.

Driftless Cardigan – Grainline Studios. Back view.

 

MEGAN CARDIGAN – Tessuti Fabrics

Now this lass and I became instant best friends. I’ve worn Megan a lot. She’s popped up on my Instagram feed quite a few times already. She was impatient and didn’t want to wait to be blogged. She simply screamed ‘WEAR ME – you know you want to’ and so I did.

I honestly had dismissed it as being ‘not for me’ as I had concerns about the fit on me, I thought the shoulders would be too wide and it would swamp me… thanks to the encouragement of Melanie, I decided to give her a try.

I do own several beloved longline RTW merino cardigans. They seem to go with everything from dresses to jeans, casual wear and a stylish office warmer on those chilly air conditioning days. Logically I should have made this cardigan a long time ago, alas I’m not always logical when it comes to my creative pursuits.

Megan Cardigan - Tessuti. Side View

Megan Cardigan – Tessuti. Side View

Features

Megan is a very simple cardigan, full length sleeves, flared side seams and a quirky side hem detail.

Megan Cardigan - Tessuti. Back View

Megan Cardigan – Tessuti. Back View

Construction

Again a very simple sewing project. Sewn up in no time at all on the overlocker with the shoulder seams having added seam tape to keep them in shape (I also did this with Driftless).

Megan Cardigan - Tessuti. Side View

Megan Cardigan – Tessuti. Oh that lovely little side hem detail 🙂 It makes my heart sing.

Thoughts

I adore this cardigan. I’ve received an amazing amount of compliments on it when it’s worn – which I think is the combination of the lovely flare of the hemline and the rather funky fabric that I paired with this pattern. It’s been worn a lot in its short life so far. I guess it also slots perfectly into that grungey casual vibe that I love to wear.

Megan Cardigan - Tessuti. Back View

Megan Cardigan – Tessuti. Back View – a nice flare without being overly cumbersome in ‘swooshiness’

The fabric I have had stashed for about three years, waiting for the right pattern as I feared the wrong choice would drop me into tragic acid wash territory. I picked this up at Clear It in Melbourne for the less than princely sum of $4 a metre. It’s certainly not high quality, a simple cotton interlock but it just seems to work with this pattern design.

Megan Cardigan - Tessuti. Side View

Megan Cardigan – Tessuti. front view

There will be many more Megans in my wadrobe in the future. The perfect layering cardigan.

ALSO SEE

Driftless: I simply visited Instagram and searched for the hashtag #driftlesscardigan

MeganMade by Melanie  | Clever Tinker  |  Boo Dogg  |  Rennous oh Glennuss

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Not a city girl anymore… Sydney Jacket by Tessuti Fabrics

I expected to love this more… maybe it will grow on me – never say never. I can take a little longer to fall in love or warm to things… so I’m trying to be patient (not one of my finer qualities).

Sydney Jacket by Tessuti Fabrics, Australia.

Styled to death 🙂 because that’s how I roll.

This is the Sydney Jacket by Tessuti Fabrics. Every other blogger in the southern hemisphere seems to have made this (some multiple times), talked about it, considered making it or read about it – OK I’m exaggerating but that’s how it feels! It will be interesting to see if Sydney fever hits our northern hemisphere friends as their winter approaches.

It’s certainly a different jacket pattern with a fresh take on construction techniques. We all love a challenge, so curiosity might get the better of some bloggers – certainly did me!

I loved it as soon as it was released. It’s got all of the perfect ingredients – a slightly deconstructed feel, modern, perfect for layering, exposed seams and of course… draped. It should be my perfect jacket. I’m Sydney born and bred so this was a sentimental make, I adore Sydney but I have lived on my beautiful coastal patch for nearly 15 years now. Maybe the salt and sand has seduced me after all.

Sydney Jacket by Tessuti Fabrics, Australia.

I love the shorter sleeves, it’s very cool layering piece

There are lots of things that I like about this particular style, I love…

  • the short sleeves – it’s ideal for those not so cold days, perfect for layering and accessorising
  • the seam details
  • the pockets
  • the length – I love a longer line jacket for when I’m cruising about, they have a bit of flair and drama about them

I think a slightly heavier or more textured fabric might have worked better. I’m not a massive fan of the curved back yoke on me, I feel a little slumped. The lapels feel massive. Yes, I guess I could have fiddled with them for the photos… but this is how they fall on me so that’s how I left them.

This pattern is available as PDF (and printed) and at $10 for a PDF it’s a competitive price. It also comes with an A0 print shop version… which is often a deal clincher for me. My local Xerox shop prints A0 sheets for about $2.50 each. I really can’t stand sticking together A4 sheets and will avoid it whenever possible. It also comes as a ‘print at home’ file option.

The fabric is Italian cashmere coating from The Fabric Store, Brisbane – I can’t go to Brisbane and not go there, lovely store and lovely staff. This is gorgeous fabric that has a beautiful sheen and feels like liquid. If I don’t even up wearing this, I’m hoping to salvage enough fabric from my leftovers and the jacket itself to make a smaller jacket… I’m going to wait.

Sydney Jacket by Tessuti Fabrics

No scarf… BTW I made up the ‘petite’ version of the Sydney.

Despite my bellyaching, I really like this pattern and recommend it if you are a little jaded of traditional jacket patterns – or lining, collars and buttons/zippers scare you. It’s fun and interesting to make. Most of the seams are overlapped by 3/8 inch and you sew down the centre of the overlap. The side seams are sewn in a traditional manner.

Sydney Jacket by Tessuti Fabrics, Australia. Construction, the seams

I marked 3/8 inch in from the edge with pins, overlapped the edges and then sewed down the middle. You could choose to mark this with chalk or with thread – or by eye!

The instructions provide lots of photographs which is helpful. However sometimes the text is on one page & the photo is on the next. It’s not a drama it’s just a couple of times I’d find myself looking at a photograph at the top of the page & reading the text underneath… then realising the associated text was on a previous page. It’s just how I read, nothing wrong with the pattern instructions. I just found flicking between pages for one step threw out my rhythm a little.

There are pockets… not in the side seams… and no welts… oh no, you cut through the front of the jacket piece to gain access… yes, that requires a little bit of faith! And yes, more raw edges. The pockets certainly made for an interesting construction step – I love trying and learning new things.

Sydney Jacket by Tessuti Fabrics, Australia.

Those lapels swamp me. I didn’t fiddle with them for photos and that is how they fell which I think has to do with the weight of the fabric.

All the edges are raw. So if you hate hems – this is the pattern for you! You do need to keep that in mind when selecting fabric as something that frays will not be suitable. Think boiled/felted wools, neoprene and ponte.

I really enjoyed making this – fun pattern, interesting jacket… Love at first sight doesn’t always happen – how many times have you dreamed of a garment, tried it on RTW and felt slightly deflated? Or felt lukewarm about something and then worn it forever? Well, that happens with sewing as well. This is definitely a case of ‘it’s not you, it’s me’. Great pattern.. perhaps not on me (I feel like the lone blogger *sobs*).

Sydney Jacket by Tessuti Fabrics, Australia.

Taking a moment to soak up some warm winter sun.

Sorry can’t type much more – I’m typing like demented drunk monkey as I managed to sew straight through the pad of my left index finger on Friday morning… twice… yes, it hurt and still hurts – a lot. Funnily enough, I was madly stitching down fused (but not cooperative) stars onto my daughter’s ‘superhero’ tshirt (complete with gold net cape – her special power was ‘kindness and generosity’) so she could read her story to the kindergarten class in character that day.Giselle was thrilled (apart from the bleeding and swearing mother element) as the teacher said that if there was a ‘best dressed award’ it would have been her – more exciting because it was all thought out and designed by her. Superhero daughter status… but right now I’m sewing and typing a lot slower for a while!

There are lots of gorgeous version out there to inspire you…

Pattern: Sydney Jacket by Tessuti
Fabric: Cashmere coating, The Fabric Store (Brisbane)
Boots: Flore from Duo, scarf from Metalicus (old fave), beads from Portmans (years ago)

There’s potential for scoring a part-time job as a windsock at least…

Sydney Jacket by Tessuti Fabrics,

A little bit of swooping action… who doesn’t love a dramatic coat?

A double take… Morris Blazer Grainline Studio

Morris was one of those patterns which just seemed to be a guaranteed hit before it was even released. Everyone was talking about it. Instagram and Twitter went a bit barmy on its release. It seems everyone is now madly printing and sewing it. I anticipate our blog feeds will be brimful with blazers! These blazers (yes I made two) are huge queue jumpers. I’ve been working on a vintage muslin and have four other projects in the blog queue. I just wanted to make Morris… so I did!

Morris Blazers

Morris Blazers

The Morris Blazer is the latest release from Grainline Studios. I will admit before I even write anything about Morris that I am a huge Grainline fan. I haven’t made all her patterns but I have made the Maritime Shorts (x 3), Moss Mini (x1), Archer (x1), Hemlock (x1) and Alder (x 3). The Morris Blazer is described by Jen as “The Morris Blazer is the perfect mix of casual and cool. It will quickly become the go-to garment to complete any outfit. With a mixture of drape and structure, bracelet length sleeves, and gentle shawl collar, it looks great dressed up or down. It works up well in fabrics with stretch, making it comfortable on top of everything else!” It’s rated as an advanced beginner and I would agree with that. I made two of these in two days (OK, one evening and one day). Probably the trickiest thing is putting in the shawl collar but it’s not that difficult. Techniques include:  sewing a straight seam, setting sleeves, sewing a shawl collar, facings, and topstitching. I made my first Morris in one of the suggested fabrics: a medium weight ponti style fabric. I have no real idea exactly what is it – it’s been maturing in my stash for about three years. I found it on the Spotlight bargain table for the princely sum of $5 a metre. Anyway, shut up Lizzy and show us some pictures… OK.

Morris Blazer by Grainline Studios

Morris Blazer: Excuse the ‘resting bitch face’. Had zero sleep the night before due to 12-year-old molars! Complete bummer as she never teethed badly as a baby!

Morris Blazer, pattern by Grainline Studios

Side view – sorry that dratted cloud in the background suddenly slid across the sun and we were done for the day. Boo!

The edges of the jacket at the lower front don’t seem to sit quite as smoothly as I would like. The jacket has a front facing, which rolls over to become the shawl collar. I think the texture of the medium weight knit tends to catch against each other or perhaps the body of the interfaced knit is not playing nice with the non-interfaced jacket front – if that makes sense. I’ve been wondering two things… if I lightly interfaced just the front section (where the front facing is) of the front pattern piece if this might alleviate this issue. I wouldn’t interface the entire front of the jacket – just the front portion. The knit properties are very comfortable and I would want to retain that quality. Would the front then have the same structure as the front facing piece and be less likely to collapse against the facing thus creating a smoother jacket front?? I have no idea – but I’m interested to find out. While it’s made from a stretch cotton, my Papercut Patterns Bellatrix blazer has the front facing and front pieces lined… just food for thought. Jen has made a hefty number of these blazers so I’m sure she will have some strong opinions about that! I’m all ears! The only step I got a little confused was Step 15. Most likely because I was tired. Earlier in the process you join the two facing pieces at the back neck. You then fold over the inner edge of the front facing pieces by 1/2in to the wrong side. You join the back and front hem facings and turn their upper edge under by 1/2in. Then you join the facing pieces to the front facing pieces.

Step 15 - Grainline Morris Blazer

Step 15 – Grainline Morris Blazer

This is where I go confused – Step 15. If you are purely a diagram person then you might not get confused – however it wasn’t clear to me that I had to fold the folded inner edge of the front facing back out before I attached the hem facing pieces to the front facing piece. You need to unfold the front facing edge before joining the pieces. Yes, the diagram does say ‘foldline’ but I managed to get confused anyway. I read the words and cross check the diagrams and they didn’t quite click for me. I’m not sure if this is any clearer but I think it better matches the diagram and desired outcome. Step 15: With the right sides together and raw edges aligned, line up the bottom edge of the front hem facing with the bottom edge of the front facing. Stitch the two together starting at the hem edge and stopping at the point where the 1/2″ front hem seam allowance is folded under. Press seam open.” Fortunately it’s about 3 inches of unpicking to rectify. Not a big drama. Maybe it should also say “Unfold the front facing edge. Then with  rights sides together… etc With my curiosity sated about this new much-anticipated pattern, I got thinking and wanted to make another straight away! A LINEN MORRIS

Grainline Studio Morris Blazer - front view

Morris Blazer – front view

Then I just couldn’t get a Morris linen idea out of my head… so I made it despite the fabric not being a stretch. It’s a rayon linen blend with a tiny bit of give. I really should have perhaps sized up or altered the pattern… or been sensible and chosen a jacket pattern designed for non-stretch wovens. Since I’m not altering guru (at all!), I decided to make it, rather than seconding guessing what would happen and trying to counteract it. I’m one of those idiots who learn best by making mistakes and analysing them. This is why I have a fabric stash – to enable excessive amounts of sewing, my imagination and sometimes my idiocy. I decided to underline the back and front pieces with very light white cotton voile. I was concerned about the soft drape of the linen. I choose a very light fusible interfacing for the front/back/sleeve facings and front facing pieces. Interestingly the jacket front doesn’t seem to have the same tension issue around the lower hemline. Whether it this is because the front and facings have the same body due to the interfacing and underlining – or whether it’s just because it’s a woven rather a knit? I’m looking forward to seeing all the other makes.

Morris Blazer - in linen

Morris Blazer in linen – back/side view. Should have rolled that collar over more, should have pulled my top down, should have worn a belt… Oh for a blog stylist. LOL

Overall the jacket sits very nicely and went together without any hiccups. As it is a casual jacket, without shoulder pads interfacing around the upper jacket shoulders etc it does fold slightly as it sits – but I wasn’t after a structured blazer so I don’t mind those features. In fact I’ve always wanted a linen jacket, I love the soft creases they get in the elbows and the gentle worn look they have. I find it very distracting to talk to people wearing linen jackets, or men in great dress shirts (I have a fascination with shirtmaking at the moment), as I have an urge to turn over their button plackets and feel the quality of the fabric. Sorry, I digress.

Morris Blazer

I’m a fiddler. Is it just me – it doesn’t how much you press – you always miss a tiny bit?

While it’s a neat fit, it is comfortable and will definitely be worn. I rather like it. It’s important to note, I don’t have broad shoulders and I couldn’t swing a golf club in this. Fortunately my golfing is limited to living within walking distance of two golf clubs and playing hydro golf with the kids… which I’m not bad at and don’t wear linen jackets to at any rate. All credit to Busy Lizzie who suggested the navy trim when I was pondering the lapel – whether to make it contrast or piped or who knows! A very indecisive morning! It’s just a navy bias binding, sewing to one side and hand stitched down. Thoughts about Morris

  • A fast  and easy jacket pattern – some sewing experience is needed or wait for the sewalong.
  • The instructions are excellent (except for possibly Step 15, although it could just be me! I read this Morris  blog post by Saturday Night Stitch and wondered if it was the same step that tripped me up.
  • Fabric choice is important.
  • The sleeves are short. I like this feature as I tend to roll up my sleeves – or shove them up my arms in the most untidy fashion.

Note: I would not recommend making this jacket in linen or a non-woven. It’s not designed for it and I respect for Jen’s knowledge and pattern drafting skills (I just like experimenting). The linen jacket works for me – but perhaps not for everyone.

Pattern: Grainline Studios, Morris Blazer. PDF purchased.
Fabric: First version: medium weight ponti style knit and a  linen rayon blend from Lincraft (purchased at a 50% off sale). All purchased by me.
Size made: 0 (my measurements: 32 bust and 25 waist)
Construction: Sewing machine and seams neatened on the serger/overlocker.

Also see: Crafting a Rainbow | Saturday Night Stitch

WordPress editing mode is impossibly slow tonight – I can’t write any more as it takes several minutes for a line to appear. No more words possible.

Sweet Carolina… a Mood Fabrics silk metallic brocade three-piece

I know… it’s been awhile! 

I’m having a weekend ‘up north’ with Busy Lizzie… potentially shopping for shoes, buying fabric (who me??) or eating ‘high tea’.

After a bout of sensible sewing & lots of knit fabrics, followed by a bit of blog & sewing silence, I’m back with some very extravagant fabric, courtesy of Mood Fabrics, New York.

 

These pictures were very difficult to take. We have had a lot of rain… and when it clears it is soooooo hot & muggy. It was 30 degrees celcius and very humid…. and it was 4.30pm! Despite being lined, every item of clothing kept clinging to my skin. Fortunately this was not made with outdoor leisure in mind! I prefer to take all my shots outside as 1) natural light is kind, 2) the family happy snap camera doesn’t like playing nice inside, 3) my hometown is pretty & 4) I’m not big on putting my house on the blog – a bit precious I know but that’s me.

I confess I’ve had this fabric for months and the indecisiveness nearly destroyed me. It was so different to anything I had sewn previously and I was a little stumped… and terrified. 2.5m of Carolina Herrera silk metallic brocade from Mood Fabrics NY!  

 

The flowers are enormous… and the fabric shifts quite dramatically between light & dark.

So I spent lots of time draping a fabric over my dressform, wrapping about myself, sewing some small swatches and ironing them helps me better understand what type of garment the fabric might suit best. Then I bombard my sewing friends (thank you in particular to Lizzie, Jen and Susan for their advice) and the instagram peeps!

When I google Carina Herrerra there was an abundance of cocktail dresses, with fitted bodices and full skirts. I think this would be grand… but overwhelm my frame. This fabric would make a stunning sheath dress – which I own rather a lot of as it’s my typical work dress style – they often pop up in my Instagram feed.

I nearly made a Pauline Alice Quart Coat.  It would have been perfect… the fabric does crease beautifully into pleats… however I faltered at the last step and suddenly changed my mind. 

 

Due to the body of the fabric and the structural way it fell, I was haunted by the urge to make a cropped flared jacket that emphasised the body of the fabric. I finally settled on Vogue 8145

  

This was one of my very early pattern purchases, I’ve long adored the flared back of the jacket.This pattern is an unlined jacket. As the fabric is somewhat coarse in texture I used a lining from the stash. I underlined the body of the jacket and lined the sleeves. I used a bias tape to turn up the hem to minimise bulk.  

 

The sleeves are two piece raglan sleeves with a seam running down the top of the arm which provides some shaping.

I omitted the buttons as it felt ‘busy enough’. I also eliminated the centre back seam in the jacket body piece.

Once the jacket was complete… another bout of indecisiveness followed… should I make a long pencil skirt or a mini skirt? 

So I took the very practical approach of wrapping myself in fabric and the was very apparent that a long fitted skirt would be a nice counter balance to the very dramatic flared jacket. 

 

It was very tempting to indulge in a new pattern and I nearly gave in and purchased the Sew Over It Ultimate Pencil Skirt. In a rare bout of self restraint I decided to defer to my pattern stash. I really loved the fit of the By Hand London Pencil Skirt – which I had made and blogged way back in 2012.

I lined the skirt with more stash lining and added a walking vent (yes, a lined walking vent no less!) following A Fashionable Stitch tutorials. You can learn how to draft the walking vent here and how to line a skirt with a vent here. Thanks Sunni!

While this skirt pattern calls for fabric with some stretch, the long walking vent makes it easy to walk in – I do have a huge stride (fast walker!) so I’m slightly limited – probably walking in a more ladylike fashion. I actually adore the firmness of the fabric. It feels amazing to wear and I find the high waist is very comfortable. 

The top is a Burda 2964. I had this in my stash as well! I picked this up at a Spotlight sale as, despite the rather gawky pattern envelope art, I loved the square neck and princess seamlines. The top is cropped and I think the shapely yet slightly boxy fit suits the fabric and works beautifully with the high-waisted skirt. The top is a slight miracle of pattern cutting Tetris – I wiggled and jiggled the pieces onto the scraps of my brocade.

The pattern is unlined, features a side zip and slits in the seamlines. It also comes with long or short sleeves and in a longer length.
 

THE FABRIC  

This fabric freaked me out for a while as it was so unfamiliar. However… I’ve fallen in love with silk brocade and would now love a sheath dress! The fabric is just fabulous to wear.

The oversized print is spectacular of this particular Caroline Herrarra fabric is a unique blend of opulent and grunge. It does amazing things in different lights and settings. It’s just gorgeous. I’m never 100% comfortable in ‘pretty’ things however this rather masculine yet feminine blend of colour, print and texture is very appealing to me. 

I’d read much about the frantic fraying nature of brocade but didn’t find this fabric at all troublesome. In fact it was one of the easiest fabrics I’ve ever worked with. That’s not to say it doesn’t fray but it wasn’t shedding like a beast. 

I would advise lining this fabric.

Slip stitching the fabric is a joy as the stitches just seem to disappear. 

The colours of the fabric change quite dramatically – in the first image the fabric looks quite dark & moody. The light is behind me. The other pictures the sunlight is shining onto me, bringing out the yellow gold tones.

I doubt that I would wear all three items together… then again you never know! I do love to dress OTT sometimes, it’s fun! I’ve purchased several suits in my career and usually only wear the pieces together at the most formal corporate occasions. I prefer to mix and match. I love wearing jackets with skinny jeans and heels to more casual events such as dinner and drinks with friends. I also think I will wear the skirt with heels and a loose fitting shirt tied at my waist. 

Fabric: Caroline Herrara Silk Metallic Brocade, supplied by Mood Fabrics as part of my participation in the Mood Sewing Network. All opinions are my own. 

Pattern, Jacket: Vogue 8146 from the stash 

Pattern, Skirt: Charlotte Skirt from By Hand London (this pattern was sent to me in 2012 by the girls. Previously blogged and loved here.  All opinions my own). I’ve modified this pattern by adding a walking vent to the back and adding lining. 

Pattern, Top: Burda 2964 from the stash 

The Quart Coat will happen sooner or later… it’s just a matter of time & fabric…

I love sewing with Mood Fabrics, I’ve tried so many new things – anything you’d like me to try next – fabric or garment?

ZIGGI Jacket – Style Arc. Couching Tiger, Hidden Cougar…

Style Arc Ziggi Jacket - I always seem to push my sleeves up!

Style Arc Ziggi Jacket – I always seem to push my sleeves up!

hmmmmm, not sure where to start with this one…

Firstly, I love that fabric and not because Mood Fabrics NY gave it to me as part of the blogger network I must sing its praises. I absolutely think it’s fabulous fabric, it really is. I hadn’t sewn with ponte-style fabrics before but have discovered why people adore sewing with them. They have enough ‘give’ to make sewing a breeze, they are firm enough not to cause the headaches of tshirt style knits in the sewing process. They have enough body to skim over lumps and bumps for dresses, skirts and jackets. I’ll be back for more!

I wrote more about the fabric in relation to this pattern on my Mood Sewing Network blog post – there was too much to say to write it all at once so I focused on the fabric at Mood Sewing Network and the pattern here.

So this post is mainly about the Style Arc Ziggi Jacket pattern and my thoughts on it. Ziggi seems to be one of those patterns that is tucked away in pattern stashes or on a sewing ‘wish list’.

I’ve had a jacket fetish going on – yes, it’s out-of-season sewing. I just sew what I feel like. It was STINKING hot on this day. About 33 degrees and the humidity was suffocating. Naturally it POURED rain the next day, about 160mm in a few hours, and the temperature dropped by over 10 degrees (Celsius). I had to do a massive detour to get home from the fabric shop that day as many roads suddenly closed due to flash flooding.

STYLE ARC PDFs

I purchased this pattern from the Style Arc Etsy shop.

This is a great way to purchase Style Arc patterns (note: not all of them are available) if you have been concerned about purchasing one-size patterns – or want to avoid postage costs.

It’s important that you realise that you might get three sizes (I purchased the 4/6/8 jacket pattern) however those sizes are NOT nested. You receive three separate PDF files, one for each size. So if you are hoping to grade between sizes… it’s not going to be easy… unless you particularly like taping together 48 pages of pattern several times. I don’t know… I’ve got better things to do with my time!

Style Arc Ziggi Jacket - it's a PDF carpet!

Style Arc Ziggi Jacket – it’s a PDF carpet!

This jacket can be made as a lined or unlined jacket. Unfortunately if you choose not to line the jacket the PDF has not been set up in such a way that you can just print the shell pattern pieces.

Ziggi is a monster PDF pattern to piece together, 48 pages in total. The only print option is A4 sheets. Hopefully one day Style Arc will also provide a print/copy shop version for A0 sheets and 36 inch wide paper as provided by companies like Grainline. I don’t mind PDF patterns however I do LOATHE trimming and taping together 48 pages. I know there are bigger patterns out there but I would prefer to pay a little more for printing and have several A0 sheets printed.

STYLE ARC INSTRUCTIONS

I think everyone knows Style Arc instructions are notoriously brief. I knew what I was getting myself into. I decided everything would be OK as there are many blogger posts about this jacket, including a sewalong by Sew Maris and Stacey Sews. If you are going to make this jacket – refer to these posts. And google – lots.

The instructions for this jacket are brief. Less than one A4 page in total. I think that is very brief considering all those zips and the lining. There are also no diagrams, other than diagrams of the jacket itself. I don’t have huge issues with this as I knew that before I started. I’m just pointing it out so if you do purchase this pattern you don’t get a shock.

I didn’t refer to the instructions much at all. I generally read sewing instructions before I start any project to see if there are any new or unusual techniques I need to be aware of or research before I start. Then I may refer back to them as a guide for order of construction or to see if the seam allowances vary as I’m sewing.

The pattern pieces have the stitching line printed on them. I personally hate referring back to pattern pieces to check seam allowances. I’d rather the pattern just said ‘sew the collar outer edges together with a 1/4 inch seam allowance’ rather than ‘Sew the collar outer edges together’. Call me picky but I don’t think it’s much to ask for a few more characters in the sentence.

ZIGGI ZIPS

It’s important to point out, before you rush off and buy supplies for this jacket, that the pattern requirements state 6 inch zips for the front pockets.

Unless you like shortening your zips, you will need to alter the pocket bags and facings to accommodate the 6 inch zips. I used 5 inch zips. I have long, skinny hands/fingers and decided I could get my paws into the 5 inch openings.

Longer sleeve zips are easy enough to accommodate, you just need to change the opening length.

Style Arc Ziggi Jacket - I was stupidly proud of myself when I finished my first zip pocket.

Style Arc Ziggi Jacket – I was stupidly proud of myself when I finished my first zip pocket.

That surprised me most about this make is how easy the zips were to put in. Yes, it was fiddly but I didn’t find it difficult. Sew Maris provides a fantastic blog post on this.

My Ziggi Zip Tips…

  • Take your time
  • Be generous with your zipper window facings – cut good sized pieces, you can always trim them back. I used silk organza for my facings.
  • I like to press my silk organza facings and take lots of time to roll them to the wrong side of the jacket and achieve clean straight edges and neat corners.
  • I also like to pin the facings in place before I baste the zips into the window opening. I always put an extra pin on an angle to the corner rather than just pinning around the straight edge. It seems to help pull out the corner of the facing and create a little more tension to create a nice sharp corner.
  • Hand baste the zip into the opening you create. It’s worth that little bit of extra time and makes tops sticking around the opening much easier and smoother.

If you would like to add sleeve gussets to your sleeve zips (not part of the pattern), Shams of Communing with Fabric has a great post on this – and Ruth of Core Couture has added some helpful tips here. I chose not to add sleeve gussets but you can certainly do so for an extra finishing touch.

Peekaboo Cougar Pockets!

Peekaboo Cougar Pockets!

I’m not such a huge fan of metal zips. I know they are ‘cool’ but clearly I’m not. They interfere with how the jacket sits on the body and moves. I’m just too picky about weird things I think. My zipper for the opening as a slight ‘wiggle’ in the teeth and that annoys me senseless.

POCKETS

I only used one of the pocket facings per pocket. Maris is right, you only need one. The pattern instructs you to cut four.

TOP STITCHING

I like top stitching. I really, really do. It’s not just the look I like. I also enjoy the process.

I use upholstery thread for my top stitching if sewing with my Bernina. I find it behaves better than top stitching thread. It could just be my Bernina has issues with top stitching thread thickness and I just need to fiddle with the tension – or perhaps my Bernina is just antsy about very thick thread just like she is about shirring elastic. I love my Bernina but she’s got some quirks – don’t we all?

I lengthened my stitch to 3. I used my edge stitching foot and put my needle over 2 ‘clicks’. I also always top stitched on the same side. It might be overly fussy of me but with something like top stitching I find the more consistent your method/technique is the more consistent the outcome is.

Style Arc Ziggi Jacket - back top stitching detail

Style Arc Ziggi Jacket – back top stitching detail

I always keep a hand sewing needle close by when top stitching. When I finish top stitching an area I use my hand sewing needle to take the top stitching thread to the wrong side of the fabric and finish the thread off. I guess that’s more fussiness but that’s how I roll some days.

I top stitched a large piece of fabric and then cut my yokes and upper sleeves from the piece. I also fused some Pellon the wrong side of the fabric so some extra body. I also put in shoulder pads to bulk up my silhouette and support the shoulders and sleeve heads.

LINING

I found the lining a b.i.t.c.h to sew in. I’m not particularly happy with it. It feels slightly off and Jodi of Sew Fearless had the same issue. I found the instructions entirely useless for this step. All I can say is good luck, it may involve cursing and a seam ripper. (NOTE: GingerMakes made an excellent point – it maybe sewing a woven lining to the knit shell – probably true!

Style Arc Ziggi - back view

Please tell me next time not to keep putting my hands in my pockets when taking photos – ruins the line of the jacket… but that’s what pockets are for!

THANK YOU

A big thank you to Ruth of Core Couture. When I was vacillating about this pattern and the fabric, I googled myself silly, researched Pattern Review (a time efficient way to check what fabric people used with a pattern) and finally contacted Ruth about her experience as she had sewn this jacket in a polyester knit, most reviews I’ve seen have been sewn in a woven. She provided plenty of advice and encouragement along the way. Thank you Ruth!

I often find when I’m sewing, it feels like I’m sewing in a vacuum. So I often reach other to other bloggers via email, twitter or messaging, particularly if I know they are experienced in certain patterns or techniques. I’ve always found people to be incredibly helpful and generous with their advice and encouragement. If you ever need some extra advice – don’t’ hesitate to reach out to someone else, especially if you have no IRL sewing circle to hang out with.

JUNGLE JANUARY

This jacket is a bit of a Crouching Tiger, Hidden Cougar… I roared like a angry beast during the making of this jacket (the lining caused me the most grief). I lined it with some cougar print fabric from my stash. This fabric has popped up a couple of times on my blog… here and here!

So this one is for you Anne! I feel like some old biker gang girl…. oh dear… perhaps I am a cougar after all!

The Hidden Cougar

The Hidden Cougar (crappy tank top underneath due to the heat!)

POSTS I FOUND HELPFUL

Other than the lining, I didn’t find this too difficult to make. It’s detailed and fiddly in parts but not that hard. I did lots of research and googling along the way and found these posts very useful.

General Ziggi Tips – Core Couture

Inserting the inseam zips

StaceySews: for a list of links to the Sew Maris and StaceySews Ziggi posts

FINAL THOUGHTS

I chose the Style Arc pattern over the Kwik Sew biker jacket due to the volume of online posts and help available for the construction.

The sizing seems largish for this particular pattern. I sewed size 6 based on my measurements and the comments about the Style Arc sizing accuracy. I think a size 4 would have been better on my frame, for your reference my bust measures 32 inches and my under bust measures 27 inches (I find it helpful when bloggers include their measurements as it is so hard to judge someone’s physical size and the finished garment size on them).

I think Ziggi is quite boxy despite what the pattern illustrations indicate. If you are considering sewing this because you think it’s more fitted and sexy than the Kwik Sew biker jacket pattern… it’s not as fitted as you think it is going to be. I increased my seam allowance to 25mm between my bust and hip to eliminate the boxiness of this jacket. Given the instructions, PDF, single size pattern files, wrong zip sizes, lining issues I had… if I wanted another biker jacket, I would try the Kwik Sew next time. Yes, the catalogue images are not very enticing but I’ve sewn plenty of ‘ugly ducklings’ and been delighted by the end result.

I seem to have written a lot in this post and I suspect I will think of more to add later!

ALSO SEE: Stacey Sews | Core Couture | Communing with Fabric | Sew Fearless | Sally Bee Makes (love this one) | A Challenging Sew | Clothing Engineer (shearling) | Meggipeg (gorgeous two-tone leather) | Sew Maris | Sew Judy | Sigrid Sewing | Dodgy Zebra | Sewing Pattern Review
And a Ziggi in progress (maybe) report: My Messings

Pattern: Style Arc Ziggi Jacket
Fabric: Wool Stretch Suiting from Mood Fabrics NY
Accessories: Sunglasses: Ralph Lauren (birthday pressie from my mum) | Key necklace: Tiffany & Co | Ring: sterling silver from some random little Hunter Valley shop during a girls’ road/wine trip

Top 5 Hits – 2014 (or perhaps 4)

Before we even start this Top 5 blogging journey, I’d just like to say that I might not always blog ‘five’ things. It’s not that I can’t count, it’s just that I’d rather pick one thing, four things or maybe eight things or more… it’s just what feels right.

I enjoy these posts – for me. So skip over it or read on if you like. I find it interesting to sit back and think about the year just gone. Whether it’s sewing or life in general, it’s good to think about what worked, what didn’t and ‘where to next’.

TOP 5 HITS

Today I’m blogging my Top 5 Hits. The makes I’ve worn the most and feel most ‘like me’. It’s easy to get caught up in a trend but more and more I simply sew the things that appeal to me and my sense of style (or perhaps lack thereof!).

Drape Drape

My mother-in-law gave me Drape Drape book last Christmas – and I immediately ordered Drape Drape 2 & 3. These books really changed my sewing approach and ricocheted me off into a completely different style zone – where I’ve never felt more comfortable. They finally provided me with some options that were really what I wanted to create and wear. Some of the makes were perhaps a little crazy but I’ve found these patterns fascinating. Drape Drape posts are here…

As recently blogged, the draped singlet dress from Drape Drape 2 has been the runaway winner in this year’s sewing. This little make is simply a misshapen singlet/tank dress. It’s incredibly easy to make and takes just 1.1m of fabric. When I’ve worn them people want to know ‘who the designer is’ – that gives me particular delight with my red/white/blue one which cost me just $6 in fabric.  

No 2. from Drape Drape 2. Without the drapes in view, it is a very simple singlet dress.

Excuse the stupid pose. blowing a gale and the camera went flat. No 2. from Drape Drape 2. Without the drapes in view, it is a very simple singlet dress. This is perhaps my favourite. I love the lyocell DKNY fabric and the vibrant colours.

No 2. from Drape Drape 2. Side view - with the drapes.

Side view – with the drapes.

Vogue 8780 – the Ugly Duckling

Despite the incredibly uninspiring pattern artwork or even more ‘blah’ Vogue photography, this cardigan is one of my most loved & versatile pieces. It’s made from a very fine merino knit from The Fabric Store in Sydney – plucked from the remanent bin for just $19.

It’s lovely with dresses & jeans. I wear it at work as much as I wear it casually. It’s got lovely drape at the front, a flared hem and it’s fitted across the back. I will make a size smaller next time (this is a small) as the sleeves are quite roomy – but I don’t mind, I love wearing it as it is. To me, this is the perfect cardigan (or whatever you call this!).

All I can say is, you need this in your pattern stash, buy it before it becomes OOP.

Vogue 8780

Sorry can’t see much of the ‘make’ but I love all the natural tones in this shot.

Vogue 8780 - so versatile

Vogue 8780 – so versatile. That’s in the work lift… it has rather a lot of mirrors. Helpful for selfies! I didn’t make the pink dress, it’s an old Metallicus which I had bagged for the op shop – then I thought would lovely it would look with this cardigan. So glad I saved it!

Vogue 1250 & Maria Denmark Day-Night Dress

I’ve made five of these dresses, my most beloved is the Sew Dolly Clackett dress which I’ve worn to work many times. It’s a versatile, comfortable, fun & flattering dress. I’ve been surprised by how much people admire this given the somewhat ‘unusual’ print – it’s not for the faint-hearted! I love the quirkiness and the fact it’s a different colour palette to what I would usually wear.

I love this picture - not because it's a great one of me - but that 'window' in the print looks like a peephole into my soul... or belly button LOL

I love this picture – not because it’s a great one of me – but that ‘window’ in the print looks like a peephole into my soul… or belly button LOL

Grainline Alder Shirtdress

A very recent sewing hit. I’ve worn this a lot!. It’s easy to wear & I’m quite proud of my collar, placket & overall finish. I think I’m also emotionally attached to it as it was sewn on a happy, stress-free day – something I relished after some long, tough months.

I’ve got another Alder to share in the next few days!

Alder, view A - back view. I sense this will be worn A LOT this summer.

Alder, view A – back view. I sense this will be worn A LOT this summer.

CONCLUSION

There you have it. One indie (Grainline). One Vogue. One Vogue & indie (Maria Denmark) hybrid. One Japanese pattern book.

I love slightly fitted, draped clothes. I adore casual wear and love nothing more than an outfit that I can wear barefoot or with heels. It suits my lifestyle. I work fulltime (so corporate office wear five days a week) and when I’m not at work I like to relax – mentally and physically. We really do go to a quiet beach almost every weekend with the dog and spend plenty of time outside the house.

I’ve loved plenty of other things I’ve made, including my By Hand London Hollys or the dress Holly hack which were fun to make & joyous to wear (and I love that bodice). However for my everyday wear, these four makes/patterns are the ones I reach for the most often – clothes that feel most like ‘me’.

I often sew simply to experiment and challenge myself. I’ve always said I’m not always a practical blogger. I make things that are buzzing around in my head or make me happy (or I try to). My sewing room has many resident squirrels to distract me and one drunk monkey who wrecks havoc on my hems, buttonholes and topstitching when I’m too tired to fight him off.  However on my favourite sewing days, I’m making something I have envisaged and desperately want to wear – and it comes off the sewing machine like magic. Those are the great days.

Top 5 of 2014

Top 5 of 2014

The Coat of Many Bloggers – Eagle by Vanessa Pouzet

This fabric haunted me. I saw it on the Mood Fabrics website and just needed it in my life and wardrobe so decided to select it for one of my Mood Sewing Network makes.

And then of course I couldn’t decide what to make. This is typical Sew Busy Lizzy style. Buy a fabric and then spend HOURS picking a pattern… and unpicking a pattern… and picking a pattern… and unpicking a pattern… you get the idea… I get so sick of my indecisiveness. I guess that’s my creative process and I just have to live with it. This jacket was the nearlyMcCalls-nearlyBurda-nearlyVogue-and-finallyVanessaPouzet project!

My Mood Fabrics Make that I've nicknamed the Coat of Many Bloggers - in honour of the amazing community of people that searched for the pattern, encouraged me and helped me translate the pattern!

My Mood Fabric Make that I’ve nicknamed the Coat of Many Bloggers – in honour of the amazing community of people that searched for the pattern, encouraged me and helped me translate the pattern!

I loved this Italian Carolina Herrera Plaid Suiting from Mood Fabrics NY as soon as I saw it. I’m a complete sucker for anything blue. I adored how the weave of this plaid produces almost a holographic look and graduates softly between black/white/blue. It’s not a harsh plaid with solid lines.

I had originally thought to sew McCalls 6442 (which I have always loved and had stashed for ages) however it just didn’t feel right for this fabric.

Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting from Mood Fabrics

Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting from Mood Fabrics

I had wanted to sew a more traditional coat but keep coming back to the idea of a waterfall/draped long-line loose jacket. I’ve always found it best to go with the heart when you sew. If you look at a fabric and immediately envisage it made up as a certain item of clothing… then go with that.

Strangely I like plaids, checks and ginghams if they are slightly messed up when sewn up. I like the juxtaposition of the orderly fabric pattern set with a design which throws out the regularity of the fabric print/weave. Others are the master of stripe and pattern matching such as Lauren aka The Mistress of Plaid who makes the most amazing things.

My Hot Mess Dress of 2013 is one of my favourite makes so  I decided to find my ideal Messy Plaid Jacket pattern.

My jacket crush, the fabric and Burda Style 10-2012 #103. Perfect pattern match but horrid on me

My jacket crush, the fabric and Burda Style 10-2012 #103. Perfect pattern match but horrid on me

Then I stumbled across an image on Pinterest – I know that fabric… tweeted about the perfect coat and where could I find the pattern? Orange Lingerie suggested Burda 10-2012 #103 which I had in my stash – which is indeed the nearly perfect match…

So I made a super rough muslin, BurdaStyle patterns with their lack of seam allowance and somewhat wacky instructions always make me nervous… and while the coat fitted – the collar absolutely dwarfed me. Sorry no picture as I was ‘home alone’, the dog turned it into a sleeping mat for a week – and it rather grossed me out to put it back on after that!

So I decided to make another muslin (this never happens) of my favourite draped jacket/cardigan pattern, Vogue 8780 – and this definitely did not work in a woven – the arms were uncomfortable…

I tweeted along the ‘woe is me’ lines about the lack of draped patterns for woven fabrics..

Then a miracle happened.

  • The Perfect Nose tweeted a new jacket pattern called Eagle from Vanessa Pouzet – who I had never heard of…
  • Vicki Kate Makes saw the design, thought it was just what I’d been looking for and tweeted me (thank you VK!)…
  • I broke out into joyous celebration – the pattern was found… I tweeted and Stephanie of Love Teach Sew also purchased it. She has translated and made up the jacket – just not finished yet. She was enormously helpful in providing some assistance in understanding the pattern – not to mention encouragement – which I badly needed as I felt quite daunted by the project. Thank you so much Stephanie!

This pattern is in French, it has diagrams but they don’t convey the full construction process – and no I can’t speak French. Never mind I thought… there’s always Google Translate! Unfortunately I seriously think some Googlebot-thingie was doing a mechanical giggle as it translated for me as I just got more confused!

CONSTRUCTION

The construction is slightly unusual. I haven’t sewn too many jackets but I have never sewn a lined jacket with this order of construction.

  1. You sew lining and shell back pieces together along the hemline (leaving a gap for turning).
  2. You attach the shoulder pieces to the front shell and lining pieces.
  3. You sew the front shell and lining together along the front and hem seam. You turn them right side out.
  4. You then attach the back to the fronts along the side seams – overlapping the back hem (hard to explain but it makes sense as you sew it – you just need some blind faith) as the back is longer than the front until this point – you stop before the armhole.
  5. You sew the shoulder seams.
  6. You sew the neckline
  7. You then attach the sleeves to the lining and then the shell. Yes I’m serious.
  8. You then machine the sleeve hems. I personally love machining my jacket sleeves hems. It’s a bit of a brain buster the first time you do it – but it is worth learning.
  9.  Turn right side out – and sew up the lower jacket hem.

Sorry, I’m writing from memory so I will amend the above construction order if I find it to be wrong when I find the pattern in my sewing room (my work life is at its annual peak right now so time is scarce) – however in essence this isn’t your ‘usual’ jacket construction – well not that’s I’ve experienced.

If you are nervous about plaids and all that pattern matching. Don’t be. Look for simple patterns or patterns where you can play with the plaid rather than be hemmed in by its rigid nature.

Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting from Mood Fabrics.  Vanessa Pouzet Eagle pattern. Sewn by Sew Busy Lizzy

The Eagle Jacket – side view. When you move the fabric seems to play tricks on your eyes. It’s quite unusual. And my legs are doing some weird pigeon-toed spin for your entertainment – you’re welcome…

CUTTING OUT

While this pattern may be draped, there was still some plaid matching to be done. To match the plaid I decided to cut the pieces out flat. So I created a full pattern piece for the back and two of the front piece so I could lay them flat and double check that all the plaid would intersect correctly at the side and front seams. I know you can pin your fabric, matching the plaids and cut on the fold… I just prefer this way…

And a confession… I often use a sharpie to trace around my patterns if I know that they excess fabric will be trimmed off. With a bond paper PDF it is so much easier than trying to pin it to the fabric. There – I’ve said it.

To match the sleeves, I cut these out last – after I had constructed the body of the jacket. I often work that way with pattern matching if I know I have plenty of fabric to play with – I cut out a piece at a time as I sew. I put the sleeveless jacket on my dressmaking form, held the paper pattern pieces up to the armhole and marked where the black plaids on the armhole were meeting the sleeve and marked this on the pattern piece. I then laid the marked pattern pieces on the fabric, matching up the plaid and the pattern marks and then cut out the sleeves. Due to the leather shoulder pieces it was impossible to match the back and the front. So I elected the match the front piece and front sleeve.

The shoulders are leather – cut from a piece gifted to me by my lovely friend Susan of Measure Twice, Cut Once from her stash. The shoulders also mean that there are a few less seams to pattern match. You can focus on matching the side seams and the fronts.

This fabric has enough drape to fall into a single fold when left unbelted.

This fabric has enough drape to fall into a single fold when left unbelted.

I think the full flare of this coat unbelted, it’s massive and swingy – perhaps swamping me a little but I love coats and tops that billow about. There is something fun and dramatic as they swing around your legs and body as you walk, especially if you walk as fast as I do!.

Wearing it unbelted, the jacket fronts hang with a single fold, when I belted it I folded them back to get a ‘plaid origami’ look. I also love how it transforms from a freeform coat into quite a soft feminine shape with a belt.

I can't help myself - I always push up my sleeves unless it is bitterly cold.

I can’t help myself – I always push up my sleeves unless it is bitterly cold.

I must say, this jacket isn’t going to be everyone’s cup of tea. But it’s mine (always black tea with two for me). The patterns isn’t particularly difficult… once you figure it out. Clearly I battled with my language limitations but it was a fun challenge.

And now I have a big snuggly jacket for my January holiday – yes January is still my summer but we will be in alpine Tasmania for a week which can be hot – or sometimes throwing down a bit of snow at that time of the year.

Fabric: Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting
Pattern: Eagle by Vanessa Pouzet (French, untranslated)

I’ve just got to say – this jacket epitomises the reasons why I love sewing and blogging. Lots of people helped and encouraged me. It was like being wrapped up in a big warm sewing hug when you ask for help. Corny but true. Thank you!

 

I went to Frocktails in Brisbane last weekend, I combined it with a work trip… I think I squashed in too many work appointments and took too much work with me – oh well, tax deductible travel I guess! So many lovely people… while this photo wasn’t taken at Frocktails it’s one of my favourite pictures of the weekend… this is me and my lovely sewing friend Busy Lizzie (I think it’s fate we launched our blogs within days of each other with the similar names – what are the chances?) who is so supportive in some many ways and has become a great friend. Mwah, you are a treasure!

Busy Lizzy and Busy Lizzie

Busy Lizzy and Busy Lizzie (I’m in an unblogged red/white/blue variegated stripe Drape Drape dress and Lizzie in her Miz Mozelle dress)

This was taken at the lovely Marjorie Sews’ home – not only did she cook a cracking dinner but she also let us play with her hat collection… yes people she made these. Check Marjorie out on Instagram – so very very clever and an absolute sweetheart… and I do want to buy that red/white/blue hat one day Marjorie!

If you are in Brisbane sometime before 15 February 2015 then you must check out Future Beauty: 30 Years of Japanese Fashion. I went and saw this with Lizzie and Marjorie. Loved it – thought it was fascinating. And I really do want to see Undressed: 30 Years of Underwear in Fashion and Costumes from the Golden Age of Hollywood. Why are there always too many things I want to see?! And then there is The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk in Melbourne… argh!