Wrapped in stars – Vogue 9251, a wrap dress

Vogue 9251 - woven wrap dress in viscose crepe

Vogue 9251 – woven wrap dress in viscose crepe

Another blast from the post-injury ‘go slow’ phase. This is Vogue 9251, view A.

They say not to wear wrap dresses on windy days but I did. These were taken in my lunchbreak (my workplace is about 200m away from this spot) and it was ridicolously windy. So the dress in turn clings and blows out in these photos – sorry but at least they are ‘real life’ photos!

Vogue 9251 - taken on a windy day!

Vogue 9251 – taken on a windy day!

I’ve made this as a work dress but I do really love the style and considering a floral maxi as a casual dress.

I love wrap dresses in summer. Easy care and easy to wear.

Modifications

I made view A with the flutter sleeves and shortened it by 2 inches.

I used purchased bias tape on the neckline, to hem the sleeves and skirt. Depending on the fabric weight, I sometimes find this makes for a much neater and flatter finish.

I used my Prym Turning Set to turn the ties… these make turning your narrow fabric tubes SO much easier!

Dislikes

I love the sleeves but do dislike how you can see the wrong side of the fabric and the sleeve hems, likewise with the skirt… but the dress is lovely and I can live with that. My fault for not choosing a fabric with a less obvious right/wrong side.

In these photos there is a wrinkle at the shoulder – which is not there when I’m looking in the mirror… the risks of walking and moving your arms I guess!

Vogue 9251 - side view

Vogue 9251 – side view

Verdict

I think I need another of these… lovely pattern.

It is slightly big, despite making the smallest size available, I wish I could pull it in that little bit more. I might try raising the neckline a tiny bit.

The skirt is a generous wrap and reasonably ‘breeze friendly’.

Vogue 9251 - a generous wrap for windy days

Vogue 9251 – a generous wrap for windy days

Pattern: Vogue 9251, size 8
Fabric: woven Italian viscose crepe ‘Star Gazer’ from Ruche Fabric. Seriously lovely stuff, doesn’t crease badly and is lovely to wear. Purchased on holiday in January.
Also See: Emily Hallman Designs, Brittany J Jones, Sewing Pomona, Sewing Pattern Review

Me
I’m doing OK. Not much to say about anything as my lifestyle is fairly restricted – hopefully things change after my November review. I’m deliberately being conservative as I figure it’s more likely to heal with less drama. I’ve had enough of medical drama for this lifetime.
I miss running. However I volunteer every week at Parkrun and am treasurer of a local running club so I’m staying in the mix and praying for a return to the pavement sometime soon.

Finding my mojo in boho: Vogue 9253

Aka – The ‘it’ dress

Yes, the dress that seems to be ‘everywhere’, Vogue 9253. I make no apologies for succumbing to the pattern ‘fad’, I loved it on its release and purchased it as soon as it was in-store in Australia… which seems to take much less time than it used to.

I got home from hospital and decided I needed something lovely in my life to focus on… so sewing it was. There is no time for self misery when you surround yourself with beautiful things and people. I pulled this fabric put of my stash and immediately pictured this dress.

Vogue 9253

Vogue 9253 – much more ladylike but alas a droopy hat.

I’ve struggled in 2017 with trying to sew sensible things, things for my lifestyle and whatnot… but in all honesty I enjoy sewing when inspiration takes me by surprise. Right now, I have the urge to sew all.the.pretty.dresses so I think I might just indulge myself. Welcome back mojo.

Modifications

I sewed up the front bodice pieces in the centre by 2 inches (10 centimetres) and turned narrow hems under along the raw edges. And then sewn these down to the bodice. The stitching lines continue down the skirt front and its front split opening.

Vogue 5253 - inner brodice finish. I sewed the front seam up 10cm.

Vogue 5253 – inner bodice finish. I sewed the front seam up 10cm.

I also only partially sewed the centre seam of the front skirt pieces. I find it easier to walk in maxi skirts that have a split, preferably in the front. This enables my legs to break free of the fabric, rather than the fabric wrapping around and slipping between my legs when I’m walking or there is a breeze to contend with. I finished the seams in the same manner as the bodice centre front seam.

I decided to not put in pockets as I felt the light fabric didn’t really suit pockets and they might interfere with the fluid drape of the skirt.

Vogue 9253

Vogue 9253

I french seamed the skirt side seams and narrow hemmed the skirt centre back seam edges for a neat finish.

I added strips of interfacing along the centre back seams to stabilise the fabric for the invisible zipper.

I shortened the skirt pieces by 3 inches. I’m 5 foot 4.

This fabric actually has a massive fabric repeat which I didn’t notice when I purchased it. It appealed to me due to the carefree large-scale print which seemed to have no rhyme or reason to it. I deliberately chose not to pattern match (shock, horror) as I prefer the carefree feel the fabric print, deliberately placing motifs just felt too structured for the relaxed feel I envisaged this dress/fabric match delivering.

Vogue 9253, back view

Vogue 9253, back view

Dislikes

The tie droops at the front. I think I may hand stitch this to the bodice seam, at least in part.

Verdict

Even with my minor grumble, I have lots of love for this dress and pattern. I do think sewing up the front bodice a little makes it much more wearable for day-to-day use.

I sewed this very slowly. I’m learning to ‘slow down’. I was still very tired from my week in hospital so I sat at my kitchen table as I created this, hand basted my pleats and darts, hand basted hems in place before machining. Yes, probably more fastidious than required… but it is a nicely finished dress and I love it.

I’m tempted to sew all.the.caftans… and I do hear Charlie calling my name… can I resist? Do I really need another pattern?

Pattern: Vogue 9253, size XS
Fabric: Rayon from East Coast Fabrics, Brisbane. Purchased in 2016.
Also see: there are sooooo many out there… just google Vogue 9253 or look up the #V9253 hashtag on instagram – enjoy! There was also a recent competition run by McCalls Patterns for this pattern. See all the winning entries here.

 

Why I sew…

When I saw the #sewphotohop challenge today I felt inspired to write up this blog post.

This dress better than most answers that question… it’s the place where the worries of life slip away… a place of promise and potential… where problems can be solved and beautiful things await.

It’s the place I lose myself. It’s the place where I also find myself again.

Vogue 9253

Vogue 9253

Vogue 9204 – a simple shirt for a complicated skirt

Note: I didn’t make the skirt!

Vogue 9204 – the shirt… the skirt was a fortune ‘find’ and shows more of my legs then usual!

I did however make the blouse to pair with the skirt.

This pattern is a bit of an ugly duckling – or perhaps more kindly, a hidden gem. Vogue 9204 is a Very Easy Vogue pattern with somewhat uninspiring envelope art and a sample garment in a busy print that disguises the garment’s design lines.

Vogue 9204 - image from Vogue Patterns, McCalls

Vogue 9204 – image from Vogue Patterns, McCalls

It’s a simple pullover top with a collar that extends into ties, lined yoke with back pleats and a shirt tail hemline.

Vogue 9204 - back view

excuse the creases – car travel to somewhere without a strong onshore wind required! Bad hair day to top it off… all the running means I pay less attention to my hair lol… true story…

There are no darts and the front v-neck is finished with a simple facing.

The fabric…

I’ve made this in a woven tencel chambray which I purchased on holiday from Ruche Fabrics in Launceston, Tasmania. If you happen to be in Launceston you should pop into Ruche. It’s the Tessuti Fabrics of Tasmania in terms of fabric quality & style.

While I love this fabric, it does show every crease and seems to amplify the shadows/ripples as it falls over your body or with movement. I don’t notice this when I’m wearing it but it’s obvious in photography.

Regardless of these gripes, the fabric is divine and very fluid.

Vogue 9204 - side view

Vogue 9204 – side view

The skirt… not made-by-me

The skirt… it’s hard not to notice isn’t it?! It was called the ‘fire & ice skirt’ by Bec & Bridge. It is fully lined and has a very deep back hem facing so the front cut away doesn’t show the reverse of the fabric at the back of the skirt. It’s some type of scuba-like fabric. I paid next-to-nothing for it, one of my unexpected finds, the fabric print drew my eye on the rack and cost me less than a coffee (yes really). It’s shorter than I usually wear but maybe it will be ok for a ‘night out’ or drinks with friends, we will see. I’m sure it will be readily adopted by my teenage daughters in due time.

Thoughts…

I deliberately chose this shirt design for its austere simplicity combined with a slightly sassy neck tie. I wanted something to quietly complement the skirt rather than compete with it.

I haven’t quite decided how I prefer to tie this… and I haven’t tried a low loose bow. The ties seem longer than the pattern illustration and I’m toying with the idea of unpicking the hand stitching on the inside back neckline and shortening them slightly… but maybe not.

I really like this simple pattern. I think I may make another in silk and/or rayon to wear as casual tops with jeans. It would also pair beautifully with a pencil skirt for work. It’s a nice change from a collared shirt yet not totally lacking in interest.

It’s a very fast make and if you can ‘burrito’ your shirt yokes, even faster. There is a small amount of hand stitching around the back neck to finish the tie neck.

Pattern: Vogue 9204
Fabric: Tencel chambray, Ruche Fabrics Launceston. Purchased in January while on holidays.
Skirt: RTW, Bec & Bridge, not current range

Thanks to my friend Susan of Measure Twice, Cut Once who lightened up my photos for me to actually show the top & skirt in their true colours (I’m not technical in this regard) and saved me taking more (clouds descended and the weather turned nasty/cold as these were taken making the colours very murky).

RUNNING

Still running! Park Run official time down to 26.02 minutes and I recently finished 10kms in 55.03 minutes. It’s four months since I attempted to run/walk my first Park Run. It’s been a lesson in persistence and perhaps sheer bloody mindedness 🙂

I’m trying to fit 20+ kms into my week. Yesterday I did Park Run (5kms) and then a steady 11.5kms with friends in the late afternoon as I had a hockey game at night. We trotted out for another 5kms as the sunset this evening so I could tick off 21.5km this weekend and a total of 29.5kms over the week.

I’m slowly learning to approach different runs differently. Some are more about pace, others about distance and others about time on my feet. Sometimes I run and chat with friends. It’s been a really interesting process. I’m not terribly scientific about it, I simply do what works for me and feels right/sensible.

I had a complete brain fart & upgraded my July 10km event to a half marathon… I decided I just need to finish my ‘first one’ and then I can work on my time over this new-to-me distance… can’t be that hard… can it???

Vogue 1499 – playing with stripes

I’ve had a few of these projects in the last 12 months, the things that just miss the mark. While I’m not ‘in love’ with this dress, I don’t dislike it terribly. It’s a fun design and I enjoyed making it.

Vogue 1499, Anne Klein design, side view

OK but not quite right – fit or style wise

While I used to berate myself for wasting fabric, bad choices and so on… I don’t feel that way any more. Every garment or project contains a lesson in itself, whether it is better understanding fabric choices, personal style, new construction methods and so on.

I’ve been on the hunt for some ‘pretty’ dress patterns. For casual ‘weekend’ clothes I prefer loose t-shirts, simple dresses, jeans, maxi skirts and so on. However the rest of my wardrobe is work/event/going-out and is quite different and I’ve been looking for dress patterns to refresh that part of my wardrobe.

I started with Vogue 1499, an Anne Klein design. Like many sewers, I’ve drawn to sewing with stripes. The fun you have stripe matching and the way stripes can quite alter your silhouette is endlessly fun.

The dress is described by Vogue as: Lined dress (partially cut on crosswise grain) has fitted bodice, cap sleeves, side-front and side-back seams, pleated skirt, and invisible back zipper. Note: No provisions provided for above waist adjustment.

Vogue 1499, Anne Klein design

Vogue 1499, Anne Klein design. Image from Vogue Patterns

While this double ikat (I think that is what is called when the stripes run both directions) is quite lovely, I think like the Burda shirt, the colour & design is just all wrong for me.

The fabric has been sitting in my stash for a couple of years so I was happy to use it.

The dress bodice and it’s cap sleeves are lined with a cotton lawn and I used bemsilk for the skirt lining. The skirt has separate pattern pieces to the pleated outer skirt and is a loose a-line shape.

I did iron this – however it got slightly crushed in the car driving into town to take some rushed photos after work. Plus I think the seat belt put a huge crease in the front bodice (these are compulsory in Australia). We had to try a few spots in the CBD to escape the ever-present wind at the moment.

What’s not quite right for me

I also think that this design would have looked much better in a smaller stripe. I’ve taken a pattern and sewn it in a very casual fabric and not quite achieved my usual ‘casual’ style or a dressy dress. Such is life!

The fit seemed quite roomy and I ended up having to unpick the neckline, add two back neck darts. The front bodice is still a little large at the neckline.

Vogue 1499, Anne Klein design, back view

I spent some time matching those stripes and was quite pleased with the result! It was a very windy afternoon unfortunately!

The sewn down pleats seem to length my already long torso and I am considering unpicking them.

The waistline, despite all those directional stripes, isn’t as flattering as I hoped. It seems to thicken my waist.

Maybe my shoulders are scrawny but the cap sleeves also seem a little too large.

Vogue 1499, Anne Klein design, front view

My waist seems to go on forever! Not sure if unpicking the sewn-down pleats would help.

Conclusion

It is an easy sew and spending some time, hand sewing some elements results in a really nice finish.

Despite not being my ‘dream dress’, I think it’s a lovely pattern and would be delightful on others. The bodice lines and the nice little bust darts are really lovely.

I think using some solid colour blocking on the side panels, rather than using stripes, could potentially look fabulous combined with a print.

I’ve since made Vogue 8997 and LOVE it so that’s coming to the blog very soon.

Pattern: Vogue 1499
Fabric: Cotton Ikat from Spotlight Australia
Also see: Amanda’s Adventures in Sewing | Pattern Review

Back from the blog holiday… and a sparkly Vogue 8280

It’s been nearly 50 days since my last post… which wasn’t much of a post just simply a note that I was disappearing. I was exhausted and took myself off the blog radar for even longer than I anticipated. I needed it.

I spent a week in Tasmania over Christmas – we stayed in a quiet little spot and had an uncomplicated, quiet Christmas. After Christmas we jumped on a plane in Sydney and flew over to the South Island of New Zealand for nearly two weeks. I made a deliberate decision NOT to make any craft-related books or projects with me despite having oodles of time to indulge. I spent my time reading, relaxing and seeing some truly magnificent country. We toured a part of the South Island – between Christchurch and Queenstown – and will no doubt return in a couple of years to tour the rest.

I won’t bore you with all my holidays pictures (there are A LOT), I did that on Instagram. This is just a small selection of my favourite pictures and places.

Kaikoura, New Zealand

Kaikoura, New Zealand


Up above Fox Glacier, New Zealand - reached via helicopter

Up above Fox Glacier, New Zealand – reached via helicopter


The girls sitting by the Haast River, New Zealand

The girls sitting by the Haast River, New Zealand


Jackson Bay - perhaps my favourite bay. Beautiful weather in a beautiful somewhat remote place.

Jackson Bay, New Zealand – perhaps my favourite day. Beautiful weather in a beautiful tiny remote place. I ate the best fish & chips (and coffee) I had in New Zealand from a tiny little caravan beside the road.


Queenstown, New Zealand - after dinner with LynneSews - Instagram meet-up!

Queenstown, New Zealand – after dinner with LynneSews – an Instagram meet-up!


Just a gorgeous lake - shot out of the car window on the way to Lake Tekapo

Lake Pukaki – shot out of the car window on the way to Lake Tekapo

When I returned to ‘reality’ I hit the deck at work at the busiest time of the year. So very little time or brain space for anything except work. I did squeeze in a quick frock for the major work function, thank you to Maria and Happylat for coming to my rescue – as naturally when I went to sew Vogue 8280 I discovered I had misplaced the first page of instructions.

The theme was blue and sparkles… from my dress to my shoes to my necklace and earrings… everything sparkled. That probably sounds a little OOT but it worked for the event. The pattern is Vogue 8280 – which is sadly OOP.

Vogue 8280 - lift selfie

Vogue 8280 – lift selfie. Looking a little ‘rumpled’

You’d think I would have stopped and taken some nice photos as my hair and make-up were ‘done’ however on days/nights like these you just fly through the moments and suddenly it is over!

I’m not going to review this dress as I have made it once before, this time I just lengthened the bodice by 1cm. I will say that it is a great pattern. Other than lengthening the bodice, this pattern fits me perfectly (the crease on my hip above is because I’m stepping forward). It’s a classic design that is very flattering and feminine without being fussy. I decided not to use two layers of the woven sequined fabric for the flanges as it would have been too itchy and thick. So I lined them instead – in hindsight I probably should have interfaced them but such is life. It worked perfectly on the night and I got lots of compliments – people were gobsmacked to find out it was ‘homemade’. LOL.

This is an iphone snap of my computer screen as I went through the pictures on my work computer. I was having a confessional moment with an audience of 600 or so people about my great love of Wuthering Heights.

'hand on my heart' Vogue 8280 is a sensational cocktail frock.

‘hand on my heart’ Vogue 8280 is a sensational cocktail frock.

And I’ve started knitting, a long-term simple project to make me relax at night… aptly named… Relax

Relax - knitting in MadelaineTosh Pashmina, Fallen Cloud. A pattern from Ravelry

Relax – knitting in MadelaineTosh Pashmina, Fallen Cloud. A pattern from Ravelry

So where to from here?

I have lots of blog posts to catch up on as mentioned in my last post.

During my time off I reflected on life – as anyone is apt to do when you are ‘getting away from it all’. It was exactly what I needed to do and while I won’t put all those thoughts here… in 2016 I’d like to do lots of sewing – highly selfish sewing. I want to sew where my imagination takes me. Random, inspired and experimental – with a few disasters along the way. That’s what motivates me to sew.