The ‘not Birthday Dress’ 2014, Drape Drape 2, No 2 (again)

So I had birthday earlier this week. I’m not a huge fan of birthdays but I was very spoilt this year by my family, friends and workmates which was rather fun I confess.

I had planned to make a birthday dress but my sewing time in 2014 has been much less than previous years for a whole bunch of reasons. So that didn’t happen this year… alas maybe next.

However I did wear a made-by-me dress to all my birthday dinner events (there was somehow three!) so I figure that kinda counts as a birthday dress. Tt took me all of about 90 minutes from cutting to hemming.

No 2. from Drape Drape 2. Side view - with the drapes.

No 2. from Drape Drape 2. Side view – with the drapes.

No 2. from Drape Drape 2. Without the drapes in view, it is a very simple singlet dress.

No 2. from Drape Drape 2. Without the drapes in view, it is a very simple singlet dress. Necklace is a resin by a company called Polka Luca. I fused the hem up as I didn’t want to interrupt the fabric design with a stitch line.

No 2. from Drape Drape 2. Chevron side

No 2. from Drape Drape 2. Chevron side – sorry my arm is in the way and then the camera battery went flat and then I went out to dinner!

If you were at Brisbane Frocktails you would have seen this - probably the most simply dressed person there, wearing what is basically a draped singlet. I struggled with fancy and fuss so I guess this little make personifies my style, something simple with a little bit of a twist.

This is actually my third version of this dress. I made one earlier this year that went unblogged, there didn’t seem much to say. This red/white/blue version is one of my favourite makes. I love the strong contrasts, if I’m wearing it out I wear it with my blue heels and a chunky white silicone Jellystones necklace. When I’m just banging about the house on a weekend, I wear it without jewellery and my flip-flops (aka ‘thongs’ if you are an Aussie). The fabric came from the bargain table at Spotlight and the fabric cost me about $6 all up.

No 2. from Drape Drape 2. front view

No 2. from Drape Drape 2. front view. Excuse the face – it was a late, hot, windy summer evening last February. I wore this to work on casual Friday once and was stopped by an elderly gentlemen in the foyer who wanted to tell me I looked ‘spectacular’.

No 2. from Drape Drape 2. Side front view - chevron side. I've sorted out that seam puckering...

No 2. from Drape Drape 2. Side front view – chevron side. I’ve sorted out that seam puckering… and congratulations if you have spotted that my shoes are exactly the same as above just in a different colour!

No 2. from Drape Drape 2. Back view - with the drapes.

No 2. from Drape Drape 2. Back view – with the drapes…. and now I’m wondering why I cut all my hair off… oh well it grows.

It’s interesting making the same pattern several times. It goes without saying that the drapier your knit for this design, the better. This final version is perhaps the best in terms of fabric. It’s a DKNY lyocell – which is essentially a rayon knit. It’s extremely lightweight and divine to wear.

This is one of my ‘tried and true’ patterns – in fact I’ve worn all three this weekend. Considering I wasn’t sure about this look on me at all when I made my first one, it’s proven to be a summer wardrobe staple.

Pattern: No 2 from Drape Drape 2, also blogged here.
Fabric: DKNY lyocell knit from The Fabric Store, Sydney. It was $25 a metre, I used 1.1m for this make, you do need fabric that is 150cm wide for this design.
All fabric, patterns, jewellery and shoes purchased by me.

And yes, I got lots of sewing related presents… here are the most ‘sew busy Lizzy’ presents.

Japanese sewing books, 'cotton reel' earrings, t-shirt (enough said) and a very cute silver spoon!

Japanese sewing books, ‘cotton reel’ earrings, t-shirt (enough said) and a very cute silver spoon!

An artwork for my sewing room - a gift form my parents-in-law. Yes, that's Japanese vintage fabric integrated into the work.

An artwork for my sewing room – a gift form my parents-in-law. That’s Japanese vintage fabric integrated into the work. A hasty iPhone photo while on the way to the dinner!


What birthday is complete without…





The ‘Why did I do that?’ Shirtdress, McCalls 6696

Ever make something, finish and think… now why did I do that???

This is one of those makes… alas…

McCalls 6696 - no amount of naval gazing will save this one with me.

McCalls 6696 – no amount of naval gazing will save this one with me.

This is the infamous McCalls 6696 shirtdress.

McCalls 6696 - the pattern

McCalls 6696 – the pattern

I finished this early September. Life has been overwhelming and I’m struggling to keep up with the laundry – not to mention blog posts. I’ve got another two things to blog… actually three…

I absolutely loved making this. Loved it. Yes, being a shirtdress it’s quite a detailed make. Yoke, collar, button band, waist band, belt keepers, pockets and more. The cutting seemed to take forever. I imagine trying to sew it up in a few sessions would be exhausting.

I sewed this in a gorgeous fabric – a Lisette lawn, silky soft and such a pretty print. Not too colourful and flowery for me.

I sewed it up over a week or so. Cutting, pinning, basting, sewing, overlocking, ironing, hand stitching when I had an opportunity. I purchased this pattern as soon as it was released, and traced it. Then put it on the back burner and watched everyone else sew it up. I just had not felt I had enough time to make it up.

McCalls 6696 - the only side shot we took!

McCalls 6696 – the only side shot we took, I was rather distracted that day as it was the puppy’s first day at the beach.

I made most of this while my husband was away for a few weeks and I was doing the typical ‘working mother’ juggle of work-school-meals-activities-appointments etc. When the girls were in bed, I would do the quiet tasks… cutting, pinning and hand sewing. I would sew some seams when I woke up and so on. It always surprises me how much I enjoy making garments in this manner. I find I make less mistakes, my sewing is more considered.


I attached the yoke using the burrito method ala Grainline Archer shirt. It’s genius.


After my silk Grainline Archer collar battle, I decided to try Four Square Walls method of attaching the collar. I personally found this SO much easier.


This was my massive blooper of the make. It’s not that I hate contrasts and quirkiness. I just hate it on me. I think if I had sewn it up plain with no contrast, I would be much happier. Oh well, you live and learn!

McCalls 6696 - inside front view

McCalls 6696 – inside front view

McCalls 6696 - inside back view

McCalls 6696 – inside back view. I am not a huge fan of the gathers in the back. They felt puffy so I ironed them flat before I wore the dress.

McCalls 6696 - close up of the contrast horror on me...

McCalls 6696 – close up of the contrast horror on me…

I cut the inner waistband, inner collar stand and inner button plackets a from small pink gingham. I made bias strips of the blue fabric to finish the armholes. I know! Attention to detail plus!


I’m not sure if it is of any interest to anyone whatsoever and it’s certainly not ‘new’, however I used some of the quick-piecing techniques I used when I used to make quilts, it’s not rock science but it does speed up your sewing – quilting or dressmaking. I’ve found that being skilled in a wide variety of crafts has been enormously helpful with my dressmaking. I won’t bore you with all the details here as it’s not relevant but I did use one of those techniques to quickly create my contrast buttonbands – if it is of no interest or you have seen this before, skip over the next section.

I don’t blog every detail of my makes, there is a lot of knowledge out there, I’m including this as it’s a variation on the pattern and thought it might be useful to someone.

You could easily add seam allowances, cut four bands and sew them together. Or you could do this…

I added seam allowance to the button band and cut one button band from the blue fabric and one from the pink. I interfaced the pink strip. I then placed the two button bands right sides together (pink and blue) and sewed down the outer two lines.

You will need add seam allowances to the pattern buttonbands. The centre line is what you will cut down to create two bands. The outer lines are your stitching lines.

You will need add seam allowances to the pattern buttonbands. The centre line is what you will cut down to create two bands. The outer lines are your stitching lines.

McCalls 6696 - Once you have sewn along the two outer lines, cut down the centre line - or use your rotary cutter to create two buttonbands.

McCalls 6696 – Once you have sewn along the two outer lines, cut down the centre line – or use your rotary cutter to create two button bands.

McCalls 6696 - ta da. We now have two buttonbands

McCalls 6696 – ta da. We now have two button bands

Then iron the seam allowances (trim if required) towards the pink contrast side.

McCalls 6696 - understitching the buttonband

McCalls 6696 – understitching the button band

Iron the bands wrong sides together and…

McCalls 6696 - the finished buttonband

McCalls 6696 – the finished button band

I’m not one of those super-organised bloggers with a fancy camera on a tripod. I make no apology for that – I use the family point-and-shoot camera. I often think half way through a make “oh that might be interesting to someone” and absent-mindedly use my iPhone to document my work.

I did contact Heather of Handmade By Heather B via twitter before I attached the button bands as the instructions said to turn the unnotched band edge over 3/8in and then sew the band to the dress (this will make sense if you make the dress). It just struck me as odd when the band is folded in half and then the band is sewn to the dress with a 5/8in seam allowance it didn’t feel logical that the 3/8in turned under edge out meet/cover the stitching line. Heather confirmed that she probably hadn’t even read the instructions as she constructed her shirtdress. I often don’t but shirts with collars make me nervous. Heather said she had probably sewn her bands on with a 5/8in seam allowance and turned the raw edge under 5/8in as well. So I did too.


I hand sewed the inner waistband, collar stand and hem. I overlocked the raw edges.

I’m not pleased with the top stitching around the collar & buttonbands, I should unpick this stitching and re-do it closer to the edge. It looks heavy-handed to me as it is.

I took a lot of care with this make… and I love every minute of it. It just goes to prove, there can be as much joy in the making as the wearing. I sew because I love the process. That’s here I find my magic.

McCalls 6696 - note to self - standing wonky never does wonders for the butt view.

McCalls 6696 – note to self – standing wonky never does wonders for the butt view.


I might not like my interpretation on me, however I loved making it and think it is a great pattern. A real classic.


I’d definitely have no contrast fabrics. I’d add some length to the bodice and taper out the skirt more over my hips. Or maybe I’m just not a shirtdress kinda gal.

PATTERN: McCalls 6696, view C.
FABRIC: Lisette lawn from Spotlight.

ALSO SEE: Handmade by Heather B | Idle Fancy | Sewmanju | Sew Dixie Lou | Sew Amy Sew

McCalls 6696 - view C.

McCalls 6696 – view C. It is pretty, I don’t know why I can’t make myself fall in love… alas.

The Coat of Many Bloggers – Eagle by Vanessa Pouzet

This fabric haunted me. I saw it on the Mood Fabrics website and just needed it in my life and wardrobe so decided to select it for one of my Mood Sewing Network makes.

And then of course I couldn’t decide what to make. This is typical Sew Busy Lizzy style. Buy a fabric and then spend HOURS picking a pattern… and unpicking a pattern… and picking a pattern… and unpicking a pattern… you get the idea… I get so sick of my indecisiveness. I guess that’s my creative process and I just have to live with it. This jacket was the nearlyMcCalls-nearlyBurda-nearlyVogue-and-finallyVanessaPouzet project!

My Mood Fabrics Make that I've nicknamed the Coat of Many Bloggers - in honour of the amazing community of people that searched for the pattern, encouraged me and helped me translate the pattern!

My Mood Fabric Make that I’ve nicknamed the Coat of Many Bloggers – in honour of the amazing community of people that searched for the pattern, encouraged me and helped me translate the pattern!

I loved this Italian Carolina Herrera Plaid Suiting from Mood Fabrics NY as soon as I saw it. I’m a complete sucker for anything blue. I adored how the weave of this plaid produces almost a holographic look and graduates softly between black/white/blue. It’s not a harsh plaid with solid lines.

I had originally thought to sew McCalls 6442 (which I have always loved and had stashed for ages) however it just didn’t feel right for this fabric.

Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting from Mood Fabrics

Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting from Mood Fabrics

I had wanted to sew a more traditional coat but keep coming back to the idea of a waterfall/draped long-line loose jacket. I’ve always found it best to go with the heart when you sew. If you look at a fabric and immediately envisage it made up as a certain item of clothing… then go with that.

Strangely I like plaids, checks and ginghams if they are slightly messed up when sewn up. I like the juxtaposition of the orderly fabric pattern set with a design which throws out the regularity of the fabric print/weave. Others are the master of stripe and pattern matching such as Lauren aka The Mistress of Plaid who makes the most amazing things.

My Hot Mess Dress of 2013 is one of my favourite makes so  I decided to find my ideal Messy Plaid Jacket pattern.

My jacket crush, the fabric and Burda Style 10-2012 #103. Perfect pattern match but horrid on me

My jacket crush, the fabric and Burda Style 10-2012 #103. Perfect pattern match but horrid on me

Then I stumbled across an image on Pinterest – I know that fabric… tweeted about the perfect coat and where could I find the pattern? Orange Lingerie suggested Burda 10-2012 #103 which I had in my stash - which is indeed the nearly perfect match…

So I made a super rough muslin, BurdaStyle patterns with their lack of seam allowance and somewhat wacky instructions always make me nervous… and while the coat fitted – the collar absolutely dwarfed me. Sorry no picture as I was ‘home alone’, the dog turned it into a sleeping mat for a week – and it rather grossed me out to put it back on after that!

So I decided to make another muslin (this never happens) of my favourite draped jacket/cardigan pattern, Vogue 8780 - and this definitely did not work in a woven – the arms were uncomfortable…

I tweeted along the ‘woe is me’ lines about the lack of draped patterns for woven fabrics..

Then a miracle happened.

  • The Perfect Nose tweeted a new jacket pattern called Eagle from Vanessa Pouzet - who I had never heard of…
  • Vicki Kate Makes saw the design, thought it was just what I’d been looking for and tweeted me (thank you VK!)…
  • I broke out into joyous celebration – the pattern was found… I tweeted and Stephanie of Love Teach Sew also purchased it. She has translated and made up the jacket – just not finished yet. She was enormously helpful in providing some assistance in understanding the pattern – not to mention encouragement – which I badly needed as I felt quite daunted by the project. Thank you so much Stephanie!

This pattern is in French, it has diagrams but they don’t convey the full construction process – and no I can’t speak French. Never mind I thought… there’s always Google Translate! Unfortunately I seriously think some Googlebot-thingie was doing a mechanical giggle as it translated for me as I just got more confused!


The construction is slightly unusual. I haven’t sewn too many jackets but I have never sewn a lined jacket with this order of construction.

  1. You sew lining and shell back pieces together along the hemline (leaving a gap for turning).
  2. You attach the shoulder pieces to the front shell and lining pieces.
  3. You sew the front shell and lining together along the front and hem seam. You turn them right side out.
  4. You then attach the back to the fronts along the side seams – overlapping the back hem (hard to explain but it makes sense as you sew it – you just need some blind faith) as the back is longer than the front until this point – you stop before the armhole.
  5. You sew the shoulder seams.
  6. You sew the neckline
  7. You then attach the sleeves to the lining and then the shell. Yes I’m serious.
  8. You then machine the sleeve hems. I personally love machining my jacket sleeves hems. It’s a bit of a brain buster the first time you do it – but it is worth learning.
  9.  Turn right side out – and sew up the lower jacket hem.

Sorry, I’m writing from memory so I will amend the above construction order if I find it to be wrong when I find the pattern in my sewing room (my work life is at its annual peak right now so time is scarce) – however in essence this isn’t your ‘usual’ jacket construction – well not that’s I’ve experienced.

If you are nervous about plaids and all that pattern matching. Don’t be. Look for simple patterns or patterns where you can play with the plaid rather than be hemmed in by its rigid nature.

Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting from Mood Fabrics.  Vanessa Pouzet Eagle pattern. Sewn by Sew Busy Lizzy

The Eagle Jacket – side view. When you move the fabric seems to play tricks on your eyes. It’s quite unusual. And my legs are doing some weird pigeon-toed spin for your entertainment – you’re welcome…


While this pattern may be draped, there was still some plaid matching to be done. To match the plaid I decided to cut the pieces out flat. So I created a full pattern piece for the back and two of the front piece so I could lay them flat and double check that all the plaid would intersect correctly at the side and front seams. I know you can pin your fabric, matching the plaids and cut on the fold… I just prefer this way…

And a confession… I often use a sharpie to trace around my patterns if I know that they excess fabric will be trimmed off. With a bond paper PDF it is so much easier than trying to pin it to the fabric. There – I’ve said it.

To match the sleeves, I cut these out last – after I had constructed the body of the jacket. I often work that way with pattern matching if I know I have plenty of fabric to play with – I cut out a piece at a time as I sew. I put the sleeveless jacket on my dressmaking form, held the paper pattern pieces up to the armhole and marked where the black plaids on the armhole were meeting the sleeve and marked this on the pattern piece. I then laid the marked pattern pieces on the fabric, matching up the plaid and the pattern marks and then cut out the sleeves. Due to the leather shoulder pieces it was impossible to match the back and the front. So I elected the match the front piece and front sleeve.

The shoulders are leather – cut from a piece gifted to me by my lovely friend Susan of Measure Twice, Cut Once from her stash. The shoulders also mean that there are a few less seams to pattern match. You can focus on matching the side seams and the fronts.

This fabric has enough drape to fall into a single fold when left unbelted.

This fabric has enough drape to fall into a single fold when left unbelted.

I think the full flare of this coat unbelted, it’s massive and swingy – perhaps swamping me a little but I love coats and tops that billow about. There is something fun and dramatic as they swing around your legs and body as you walk, especially if you walk as fast as I do!.

Wearing it unbelted, the jacket fronts hang with a single fold, when I belted it I folded them back to get a ‘plaid origami’ look. I also love how it transforms from a freeform coat into quite a soft feminine shape with a belt.

I can't help myself - I always push up my sleeves unless it is bitterly cold.

I can’t help myself – I always push up my sleeves unless it is bitterly cold.

I must say, this jacket isn’t going to be everyone’s cup of tea. But it’s mine (always black tea with two for me). The patterns isn’t particularly difficult… once you figure it out. Clearly I battled with my language limitations but it was a fun challenge.

And now I have a big snuggly jacket for my January holiday – yes January is still my summer but we will be in alpine Tasmania for a week which can be hot – or sometimes throwing down a bit of snow at that time of the year.

Fabric: Italian Carolina Herrera Black/White/Blended Blue Plaid Suiting
Pattern: Eagle by Vanessa Pouzet (French, untranslated)

I’ve just got to say – this jacket epitomises the reasons why I love sewing and blogging. Lots of people helped and encouraged me. It was like being wrapped up in a big warm sewing hug when you ask for help. Corny but true. Thank you!


I went to Frocktails in Brisbane last weekend, I combined it with a work trip… I think I squashed in too many work appointments and took too much work with me – oh well, tax deductible travel I guess! So many lovely people… while this photo wasn’t taken at Frocktails it’s one of my favourite pictures of the weekend… this is me and my lovely sewing friend Busy Lizzie (I think it’s fate we launched our blogs within days of each other with the similar names – what are the chances?) who is so supportive in some many ways and has become a great friend. Mwah, you are a treasure!

Busy Lizzy and Busy Lizzie

Busy Lizzy and Busy Lizzie (I’m in an unblogged red/white/blue variegated stripe Drape Drape dress and Lizzie in her Miz Mozelle dress)

This was taken at the lovely Marjorie Sews’ home – not only did she cook a cracking dinner but she also let us play with her hat collection… yes people she made these. Check Marjorie out on Instagram - so very very clever and an absolute sweetheart… and I do want to buy that red/white/blue hat one day Marjorie!

If you are in Brisbane sometime before 15 February 2015 then you must check out Future Beauty: 30 Years of Japanese Fashion. I went and saw this with Lizzie and Marjorie. Loved it – thought it was fascinating. And I really do want to see Undressed: 30 Years of Underwear in Fashion and Costumes from the Golden Age of Hollywood. Why are there always too many things I want to see?! And then there is The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk in Melbourne… argh!


I was supposed to be on the Pattern Parcel #6 tour. I really wanted to be. I think it’s a great parcel – especially if you like knits.

Several things popped up unexpectedly in my life. Manic work schedules exploding (my busiest time of the year with additional tasks being added), husband away fishing, youngest daughter in hospital (thought that was going to be in January – fret not – she is fine) and the list goes on and one and on. Like for anyone else, sometimes ‘life happens’.

This might also explain why I might not have responded to some emails & blogs comments. Sorry, I will. Soon.

So I decided to put my money where my mouth is. I actually bought Pattern Parcel – yes I had the patterns but I like to be a contributor not just an enabler/encourager. I spend plenty of money on sewing, far beyond what I receive. It’s my hobby and indulgence – and I also like to support the industry. Not just indies, but the Big 4, fabric shops and so on. It’s all part of a bigger picture. If I unexpectedly couldn’t support it as a feature blogger, I’m more than happy to buy the patterns. If you saw my pattern ‘library’ you would be greatly amused – it is HUGE!
Pattern Parcel No.6So there is just hours left – Pattern Parcel is out there and waiting for you if you are fond of knits, skirts, dresses, tunics, pants or cardigans, this one might be just for you.

Drop Waist: Take 2, Papercut Saiph inspired Burda 7056

So while the jury is out on SBL vs the drop-waist look. I decided to try another ‘Saiph inspired’ make. Yes, another drop waist and a circle skirt.

I wanted to try out another drop-waisted look, this time with a more fitted bodice.

So I turned to my bulging pattern & fabric stash to see what might be a contender.

Burda 7056

Burda 7056

I chose Burda 7056, described as “No-frill dresses for the confident woman, being the focus. All slightly flared, fitted at the back waist, shoulders left exposed“. I liked the more fitted but slightly a-line shape, with fitting provided by bust darts and back fish-eye darts. I added this pattern to the stash quite some time ago, I love the maxi version, and I also love the combination of high neckline and cut-away shoulders. There are not too many blogged versions out there – except for the lovely new-to-me blog bernie and i who has made it several times!

The fabric is a cotton sateen from a Spotlight bargain table for a princely $3 a metre. I adore the vivid blue & white. The large regular pattern is fun but not easy to sew with as you will see later!

Here’s what happened…

Burda 7056 with Saiph-inspired drop-waist and skirt modification.

Burda 7056 with Saiph-inspired drop-waist and skirt modification. It was blowing a gale on this day we had to find a headland out of the wind (almost impossible to get out of the wind anywhere some days - so the dress looks slightly distorted in this picture and my bra strap has popped out – that’s life. And yes, it’s TOO SHORT! My waist is at the ‘ellipses’ travelling horizontally around the dress.

I cut the dress pattern off at about ‘Saiph’ bodice length. I sewed the bodice together, attaching the facings, which are great and don’t flip out at all due to the style of the dress, and put in the zip. The zip is a long centre back invisible zip.

To draft the circle skirt piece, I measured the finished bodice circumference. I then simply googled ‘circle calculator circumference, find radius’. Low and behold a little box popped up and I was away. This provided the radius & I used my daughter’s school compass to draft the dropped waistline of the circle skirt piece.

I simply pulled out the Saiph skirt pattern piece and used that as my guide for the outer hemline. I know, string, fishing line, makeshift compass, la la la - the pattern piece was there and a circle is a circle is a circle.

Burda 7056 with Saiph-inspired drop-waist and skirt modification.

Burda 7056 with Saiph-inspired drop-waist and skirt modification. Not sure if it’s looking ‘hippy’ possibly yes. or if the cut-away shoulders help balance it out.

Now clearly it’s a little short. Actually no. It’s a lot too short! Despite the ‘frisky’ length I’m pleased with the make. It was an interesting process… and that’s why I sew, to experiment and have fun. I could have not blogged it due to it’s length - but it’s part of my current obsession with shifts, shapes and more – I’ll just run the risk of you thinking me a ‘tart’. At some point I’ll reach the caboose of this sewing journey so forgive any hints of SBL caboose in the meantime. It’s part of the success/disaster of sewing.

Burda 7056 with Saiph-inspired drop-waist and skirt modification.

Burda 7056 with Saiph-inspired drop-waist and skirt modification.

Apart from the length, I’m not in love with the only front bodice shaping being the bust darts. Probably because this is a slightly heavier cotton sateen, I don’t like how the dress lies between my bust and the skirt – which you can also see in the white feather hem version on the pattern envelope. I don’t want this to be super fitted all through the length of my body but I think some waist shaping at the front of the bodice around the waist would be nice. That said, I think it’s great as is if it made up as just a shift dress, in fact I think it’s rather a terrific pattern for a shift.

Burda 7056 with Saiph-inspired drop-waist and skirt modification.

Burda 7056 with Saiph-inspired drop-waist and skirt modification.

If you are wondering about pattern placement… with a pattern this big it was always going to be challenging… and probably why this fabric sat in my stash so long. I love the vivid blue of this fabric but those ‘flowers’ and ‘leaves’ were challenging. I actually attached the skirt, removed it and reattached it… and I think you will agree the second try was much better!

Pattern placement = hilarious.

Pattern placement = hilarious.

so pleased to have provided a moment of mirth for you…

Like the Saiph, ELH rather likes this dress . He said “I think you should wear that dress… a lot”.

I’m now planning SBL & the Drop Waist No.3… why not… I’m having fun!

Oh and I forgot to mention last post… we have a new addition to the family… meet Midge…

Midge - the new bubba. Yes that's a Chihuahua.

Midge – the new bubba. Yes that’s a Chihuahua. Yes he is the same colour and has the same markings as Banjo – he’s twice as feisty though!

I’m betting you have now forgotten I made a dress. LOL. This post came so fast after the last post because I was pinned to the lounge by the sleeping puppy (he’s a genuine lap dog this one) so typed it up on my iPhone and read Japanese sewing books!

And here is a beach…

Photos taken at the northern headland of this gorgeous beach - Shelly. One of my favourite places and views in Port Macquarie.

Photos taken at the northern headland of this gorgeous beach – Shelly. One of my favourite places and views in Port Macquarie. Many of our beaches are ‘in town’ yet you don’t see a house – I love that.

Pattern: Burda 7056 with Papercut Saiph inspired modifications.
Fabric: Cotton Sateen from Spotlight (about $5 worth of fabric here!)

Trying New Shapes, Papercut Saiph

Lately I’ve become intrigued with trying ‘new stuff’. New patterns, different techniques and shapes.

I’ve always loved something different – even if it’s not something I fall in love with or adopt as ‘my thing’. I’m simply interested in experimenting. To me this is the huge appeal of sewing and blogging. I find the thought process, the making and subsequent photography fascinating to analyze something new. I’m ok if it doesn’t work, I’m just curious to try.

Papercut Saiph Tunic - it's loose!

Papercut Saiph Tunic – it’s loose! The armholes are also a little large. I finished these with white bias binding

I’m the first to admit that I skimmed right on over the Papercut Saiph tunic when it was released. I found it a little shapeless for my taste and was rather bamboozled that it was called a ‘tunic’ but presented as a dress. The length also seemed SUPER short.

The ‘drop waist’ was also a deterrent as I’ve only ever worn that style as a school uniform – which I always referred to as the ‘H Line’.

Papercut Saiph Tunic - back view

Papercut Saiph Tunic – back view

Then as I looked towards summer (if it should ever really arrive…) the appeal of shifts, sacks & shapelessness reared its head. Suddenly I wanted to try new styles & shapes that I traditionally shied away from. So perhaps expect The Summer of the Shift from me. The timelessness of ‘the shift’ interests me. And well… I can’t explain my fascination with sacks…

However a few Top Notch posts triggered my curiosity and I finally gave in. Then low-and-behold Rachel of House of Pinheiro popped up with her glamorous one photographed in than Paris while mine was winging it’s way over the seas from New Zealand.

I decided to make my Saiph as designed. No fitting alterations. The Full Sack if you like! I wanted to see if me and sack dresses could be friends.

That’s not to say that this dress doesn’t have any shaping. It has French darts which are an interesting and fun addition.

Papercut Saiph Tunic - inside (sorry heading off to Sydney for a shibori workshop - no time to iron! #badblogger)

Papercut Saiph Tunic – inside - I was heading off to Sydney for a shibori workshop – no time to iron! #badblogger

But what to make it in?? I decided I wanted something with some weight but drape…. and remembered the rayon viscose ottoman suiting range at Spotlight. I’d always wonder what on earth to make with it but it seemed the perfect choice for this. It’s lovely to sew with I must say!

These were the options and I decided to go with the more graphic black/white/red fabric (I love it when Instagram polling matching up your gut instinct!).

Papercut Saiph Tunic - material options

Papercut Saiph Tunic – material options

I made the XXS and added an inch to the ‘waist’ as I am quite long waisted. I also cut the skirt length to XL as I’d read how short this design was. I omitted the sleeves as I saw this as a summer dress option.

Nothing terribly exciting to tell you about construction. I ended up lopping 1/2 inch off the skirt as the extra length seemed to exaggerate the roominess of the dress on me. I finished it with a rolled hem – not using my machine foot as this fabric was quite heavy.

I used a piece of thin black cord (ratstail – the sort you can use to make piping). I created a little loop and sewed this into the seam where the facing mets the shell at the back neck opening. I think it’s a nice little detail however it is also strong and quick to create!

Papercut Saiph Tunic - button closure

Papercut Saiph Tunic – button closure

I don’t think the Saiph translates well in photographs – not on me. I really don’t. That said, it is lovely to wear and ELH commented as he took the photographs… “I’m not sure if it’s supposed to be but it’s strangely sexy”. Perhaps it’s the shorter length with the flippy full circle skirt or the way it swings and floats around the body, hinting rather than revealing… it’s a mystery. OR ELH has a penchant for sacks?

Papercut Saiph Tunic/Dress

Papercut Saiph Tunic/Dress

I’m glad I made it, I do think in cotton it would make a great summer dress/tunic. Super cool, loose & feminine. I think it could be cute in wool with long-sleeves and tights in winter…

This image is ‘blown out’ due to the bright sunshine but I popped it in as it is one of the few without my hand on my hips – must have been unconsciously searching for myself in this loose-fitting dress!

Papercut Saiph Tunic - front view

Papercut Saiph Tunic – front view.

I’m not sure I’m sold on the Saiph – which isn’t to say that I wouldn’t make it again as I think I have space in my life for loose summer dresses. This make got me curious and I experimented with another idea… coming to a blog soon!

Pattern: Papercut Saiph Tunic
Fabric: Viscose Rayon Ottoman

Perfectly plain ‘Flared Pullover’ blouse – Clean and Natural

Now for an exceptionally simple top!

Flared Pullover from Clean & Natural (Japanese sewing book)

Flared Pullover from Clean & Natural (Japanese sewing book). Sewn in a light embroidered cotton.

This is my first ever make from a non-translated Japanese sewing book – and I thought it best to pick something really simple to get a feel how I would go just using diagrams – no instructions! Bingo. Successful top. This little pullover top has four pattern pieces, front & back yoke, front and back body piece. I did get a bit confused – I blame tracing the pattern at 11pm - and added the wrong seam allowances to the neckline and sleeves. Fortunately I noticed this before I cut it out and all’s well that ends well!

Curved yoke, Flared pullover from Clean & Natural

I love the gentle curve of the yoke.

I chose not to cut ‘self’ bias binding for the neckline – the embroidery on this fabric is quite heavy and chunky to sew through. I did not see a Battle of Bias being won by me. I used purchased white bias binding instead. I didn’t like how I could see the bias fold when I turned the binding to the inside (picky much Lizzy??). So I doubled it over as I folded it to the inside and achieved a very narrow neckline hem. This fabric is very sheer, a beautiful embroidered cheesecloth (?) style fabric from the only indie fabric store (for dressmaking fabrics at least) in Port Macquarie. Due to the fabric’s sheer nature I also chose to keep the sleeve hems minimal as I felt the slightly wider recommended sleeve hems would have looked heavy and out of balance with the neck binding. I didn’t French seam anything as the fabric is quite lumpy. Just sewn and then the seams overlocked together, rather than pressing the seams open and flat. In these photographs I’m wearing it with a ‘nude’ camisole – and always will for obvious reasons (unless it’s thrown over the top of swimwear!). top1 I must say, I do love this top. Yes it’s not sewing rocket science but it’s beautifully simple and easy to wear. It will get worn a lot as a result! I love the curved yoke and easy fit. It’s just ‘clean and natural’ in keeping with the book title. I do prefer simple tops with yokes, rather than the fabric just falling from the shoulder, I like the fit across the shoulders and upper chest, rather than just loose everywhere. Top 1 - Clean and Natural 10 The flared style of the lower section is just lovely. I love how the back falls below the curved yoke. Top 1 - Clean and Natural 2 Top 1 - Clean and Natural 1 Not much else to say about this basic top.

Clean & Natural - a Japanese Sewing Book (untranslated)

Clean & Natural – a Japanese Sewing Book (untranslated)

This book has patterns drafted for women 160cm in height, bust 79-91cm, waist 60-72cm & hip 86-90cm. Here are the makes from this book Clean & Natural. The designs are predominantly simple in nature and like Burda Style several makes are variations on a style – this top also has ‘cousins’ in a longer sleeved top, a dress and a long-sleeved long dress. makes3 The orange top has my name on it – perhaps in an emerald wool crepe I’ve been hoarding! makes2I do like that simple plaid shirt with a collar stand and placket. I can see me wearing that a lot! makes 1 Please pop over and visit Japanese Sewing Books - this is a great resource for these books. She has reviewed this book in full here. makes4 I confess I fell hard for this book when I spotted the hooded coat. I need that in my life! Whereas it was the onesie that sent Top Notch scuttling off to the bookstore when I was showing off my purchases at afternoon tea prior to Frocktails in September (I can confirm she is just as fabulous and stylish IRL, note: she would never scuttle just glide in some uber-fab heels).  Thank you to the lovely Kat of All the Whimsical Things who was not only my roomie for the weekend but also Ms Frocktails herself. She’s a beautiful soul (and is a true fabric enabler!). This was photographed on the same day as the Japanese t-shirt and the koala hunting trip – the kids asked to go to ‘the rocky beach’ at lunchtime so we took the opportunity to take these snaps while the kids searched for shells and pretty rocks on this little deserted part of paradise. Gotta love Port Macquarie. Pattern: Flared Pullover from Japanese sewing book ‘Clean & Natural’ purchased from Kinokuniya, Sydney Fabric: Embroidered cotton.